| Home | TaijiQuan Outline| Opening - Comparison and choice| Opening - Stage of the evolution|
|
Diraction TaijiQuan |

Fluid Body Taiji Quan
gFluidh is the condition of movement, a result of the transition from Static Exercise to Direction Exercise in Fluid Body Taiji Quan.
g‘¾‹Éh = gTaiji,h which represents mind & body awareness in movement involving expansion
(‘¾ Tai) and contraction (g‹Éh = gJih)
gŒh = gQuan,h (fist) ? represents the spiral formation movement of the fist from the palm,
with the ability to grasp and hold.
Fluid Body Taiji Quan is a flexible and evolving martial art system based
on Fluid Body Exercise.
Taiji Quan Taiji Quan is a Chinese martial art with practitioners in all corners of the world; as a flexible movement system, it has a popular health-cultivation side.? Taiji Quan is loved by people regardless of age or sex, and also attracts many adherents from other styles of martial arts.? As such, it is quite flexible, adaptable, and full of possibility.? The worldwide presence of Taiji Quan is laudable, but when it comes to combative capability, it is regrettable that for the most part, the style cannot be used for martial arts.? In fighting tournaments, competitions, etc., there is no record of a Taiji Quan practitioner being victorious in over one hundred years.? It is an officially recognized fact in the martial arts world that Taiji Quan cannot be used. However, the inability to apply training in combat is not restricted to Taiji Quan. It is common knowledge that many martial arts and Budo, despite years of training, cannot use their form.? In Budo for example, the use of gone-two punchh and combination techniques involving punching and kicking are the only methods in use.? Study is required to find a solution to this situation. In order for an art to continue, it must be spread to the public, in a form that is digestible to the amateur practitioner. This level is the level of gform recognition,h the shell which is recognizable to the masses.? If a martial art stops at this level, then of course it will be gunusable.h Recognition of Current Circumstances: Now, there are very few people who practice Taiji Quan as a martial art. Most people practice Traditional Taiji Quan with the purpose of continuing the form (succession,) Health Taiji Quan for exercise and health maintenance, or Qi Taiji Quan, wishing to acquire gqi.h ? Tradition vs. Martial Arts: Tradition is concerned with formal succession, while Martial Arts are concerned with evolution, through comparison and selection. From Form to Essence, from Tradition to Evolution: This is Essence of Evolution. EOE Fluid Body Taiji Quan Fluid Body Taiji Quan is a flexible and evolving martial art system based on Fluid Body Exercise. EOE of Taiji Quan Refer to Essence of Taiji Quan (Taiji Opening) (3) EOE of Taiji Push Hands: Push Hands is one pair-training method of Taiji Quan. This method has spread to every corner of the earth, as a component of the art. Many martial arts contain pair-training methods, which take place once the hands have touched; Xing Yi Quan and Yi Quan have Free Hands, in Ba Gua Zhang has Coiling Hands, Southern Shaolin Quan has Bridge Hands, Northern Shaolin Quan has Connect Hands, Wing Chun kung fu has Sticky Hands, Praying Mantis kung fu has Hooking Hands,and Goju Ryu Karate has Hanging Hands.? Such pair-training methods are also found in throwing/joint-locking arts such as Sumo, Aikido, Judo, Shuai Jiao, Wrestling, Sambo, Jujutsu, as well as martial arts styles such as Jeet Kune Do, Krav Maga, Silat, etc. Every style of martial arts has its form and its technique. In order to apply this form and technique, pair-training practice is necessary. As discussed, many schools/styles possess such pair-training methods. However, EOE desires to find a universal and physics-based name for these methods, which exceeds school and style. The EOE name for pair-training methods that take place after the hands have touched is: gCrossed Method of Connection.h EOE proposes a practice of consistent methodC which links middle-distance gCrossing Method of Contacth with long-distance gPoint/Line Method of Speed & Power.h The original purpose of studying is research, not blind obedience to doctrine. However, if one observes the actual condition of contemporary Taiji Push Hands, it is apparent that the Four Methods of Double Push Hands have become a gtype,h and the practice of Double Push Hands consists mainly of form repetition. Because of its inclusion in the classical texts, Double Push Hands is subject to becoming doctrine. However, because there is no gconditioningh available for Single Push Hands, it is open for research and interpretation by the student.? Imitation of form ends with shape recognition; research of essence brings about depth recognition. EOE of Single Push Hands: The first step is to clarify the position of Push Hands within the art of Taiji Quan. The Four Methods of Double Push Hands (expansion, pulling, pressing, pushing) originate in the Taiji 13 Postures, which are the foundation of the art. Through research of the 13 postures, we may elucidate the focus of Single Push Hands. The Taiji 13 Postures consist of: the Eight Methods (expansion, pulling, pressing, pushing, picking, tearing, elbow, and leaning) and the Five Elements (center, front, back, left, right.) Through the process of elimination, we may first remove expansion, pulling, pressing, and pushing, as they have been established as the components of Double Push Hands. Picking is an action of gathering, tearing concerns the action of tearing-apart, elbow concerns the function of that body part, and leaning concerns the shoulder and chest. Because none of these four apply in the structure nor the operation of Single Push Hands, we may conclude that the key to Single Push Hands is the Five Elements. The Five Elements are movement directions, necessary for motion and change of technique. This is true regardless of school/style, as it is a basic principle of technical application and tactical conversion. EOE submits that Single Push Hands is based on Five Elements, and advocates the practice of Taiji Push Hands in accordance with the principle of a martial art. (Refer to Question of Single Push Hands ? Five Element Single Push Hands) Any style or school of martial arts contains its basic methods, fundamentals of training which form the base of the art. These are the common techniques and forms which are studied first. The degree of recognition of basic methods and the steps of training determine the direction of a martial art. In martial arts, the tendency of training in basic methods is to stop at the level of repetition in practice. Presently, Taiji Quan, in all genealogies, entails only repeated practice of gform.h There are few instances in which the basic Eight Methods are also trained. If a martial art is not equipped with Single Training Methods, (for self-training) and Pair-Training Methods (for practice with self and other), then the combative aspect of the art cannot be realized. Single Training Method is different from repetition in practice. Single Training Method consists of practicing a single type of motion, through various methods. It is a system of practice in which originality and use of devices elucidates the physical basis of motion. Pair Training Method is not the collusion of technique; it is simulation. There are basic principles which make a martial art a martial art. This includes defensive capability: (1) do not be hit, (2) do not be thrown, and (3) do not be controlled. There is also the objective recognition of striking methods, (punching, kicking, etc.) throwing methods, and joint locking methods. Therefore, simulation of defense methods, striking methods, and throwing/joint-locking methods is indispensable to the Pair Training Method. The combative-consciousness of Pair Training Method combined with realistic practice enables the acquisition of martial ability in the art of Taiji Quan. Taiji Quan strategy is a consistent training system based on technical application and tactical deployment, utilizing each of the Eight Methods. The system contains Single Training Methods, (self) , Pair Training Methods, (self & other) and Physical Power-Testing Methods. A Taijiquan strategy is the consistent training system based on technical application and tactical deployment. It is each of that, i.e., [expansion, pull, press, push, pick, tear, elbow, and and leaning].??? It is practice of "self-Single training method" in method, "oneself-and-others pair training method", and "physical testing power method." Pair Training Method of a Tactical System: (1) Defense Method (2) Striking Method (3) Throwing/Joint Lock Method Without making a strike, defense against a strike cannot be performed. Although Double Push Hands and Single Push Hands have connect/crossed Pair Training Methods consisting of the Four Methods (expansion, pulling, pressing, pushing) and the Five Elements, respectively, the remaining Four Methods of the Taiji 13 Postures ? picking, tearing, elbow, and leaning ? are not clear. EOE advocates physical proof of Five Element Single Push Hands, the practice of throwing & joint locking in Double Push Hands, and Pair Training Methods of picking, tearing, elbow, and leaning, based on connect/crossed method, shown below. (5) EOE Fluid Body Taiji Quan: |
Fluid Body Taiji Quan??????????????????? 44 Sections -103 Points - 18 Lessons |
| 1¤‘¾‹É‹N¨ | Taiji Opening @@@@@@ |
“à ’–]‹ÃŽ‹E‘OŒã–@ |
Gaze wide and far, focus in and back Front & Back Method |
@ŽOߑБÎEdS–@ |
Relativity of three joints Center Balance Method |
@¶‰E²“®E”g“®–@ |
Left-right swaying movement Wave Motion Method |
@’¾Œ¨ô˜E‘Š‘Î–@ |
Sink shoulders, Fold waist Relativity Method |
@ŽO“_’ñŒœE‘{œ–@ |
Lift and suspend three-points Search Bone Method |
@‹N—ޏ~EæìŒ@–@ |
Rise and fall, Up and down Kneel-Dig Method |
@ŽOß”g“®E—¬‘Ì–@ |
Three section wave motion? Fluid Body Method |
@’¾gæìŒ@ELk–@ |
Sink body, kneel-dig Expansion & Contraction Method |
2¤®”öŽ® |
Grasp the Sparrowfs Tail |
–c ’£“W—¬“®E—VgŽ® |
Fluid Extending/opening Freely Roaming Body Expansion |
@ –c’£ŽûkE†‹…Ž® |
Expansion - Contraction? Embrace Ball Posture |
@ Œ¨ãö‘Š‘ÎE‘¤gŽ® |
Relativity of shoulder & crotch Side Body Posture |
@ ‘‘̈ړ®E–c’£Ž® |
Whole Body transfer Expansion Posture |
–c ŠJ‹¹†• E•ø‹…Ž® |
Open chest, rub belly Hold Ball Posture Expansion |
@‘OŒãù“]EŒ¨èÏŽ® |
Forward-backward revolving body? Shoulder Lean |
@“]g‰Ë—“E–c•øŽ® |
Turn body, support obstruct Expansion Hold Posture |
—¸ ‘©gL“WEÌ—¸Ž® |
Bind body, stretch open, up & out Grab and Roll Back Roll back |
© ‰ô“]Œð³E©“³Ž® |
Turn around, cross/ intersect Press-Collide Posture Press |
ˆÂ ‰I‰ñ•ï´EZˆÂŽ® |
Detour and surround? Infiltrating Push Posture Push |
—ô zŠÂ‘Ñ’ÄE—ô‘Ž® |
Wave and rip/drop/tear down Rending Ripping Down Rend |
•I Jgˆ¥èÏE˜•IŽ® |
Close body and hook, leaning in Waist Elbow Elbow |
“³ ‰ôã…ŠJ‡Ežˆ“³Ž® |
Encircle turning, opening-closing Shuttle Collide. Collide |
3¤\Žš‘o•Ú |
Crossing Double Whips |
@‡ä]’£“WE\ŽšŽ® |
‡ Cross arm, open expand Crossing Posture |
@–yg—¬‘ÌE©“³Ž® |
Wave body, fluid body Press Collide Posture |
4¤’ñŽè㎮ |
Lift-Up Hand Posture |
@Œ¨ãöˆêüE™œŽaŽ® |
Shoulder & crotch on one line Splitting Chop Posture |
@‰¡„’¼“³EŒð³Ž® |
Brush knee, rub elbow Relative Crossing Posture |
@Žè‘«‘ЉžE”²“Ž® |
Harmony of hands & feet Draw Sword Posture |
@ŒÛ•à¸~E’ñŽèŽ® |
Drum Step, rising & falling Lift Hand Posture |
5¤¶‰E“WãÀ |
Left-Right Spreading Wings |
@ù“]‰ôã…E•ÐùŽ® |
Whirl body turning detour One Side Whirl Posture |
@¶‰EŒ—“ZE“W“³Ž® |
Left right encircle winding Opening-Expand Collide Posture |
@‘OŒã“Z˜E²”öŽ® |
Forward backward, winding around waist Swing Tail Posture |
6¤”’’ß—ºãÀ |
White Crane Spreads Wings |
@‡gŒ—“WE‘ï‰ËŽ® |
‡ Body encircle/expand Lift Hold Posture |
7¤c•GŽOŽ® |
Embrace Knee Three Postures |
@‰ô~‰¡BE‰ô“]Ž® |
Around, fall, side, intercept Turn Around Posture |
@㉺‹N—ŽE•¥•GŽ® |
Up down rising falling Embrace Knee Posture |
@‘OŒãLkEf„Ž® |
Forward backward extending closing Pull Push Posture |
@—§‘Ì“]Š·E•¥“³Ž® |
Three-dimensional shape conversion Embrace Collide Posture |
8¤ŽèŠö”ú”i |
Hands Strum the Guitar |
@¸~—†ùE”ú”iŽ® |
Rising falling spiral Balloon-quitter posture |
9¤”À®xŽ® |
Remove Obstruction Fist-Punch Posture |
@úžˆ—†ùEt®Ž® |
Piercing shuttle spiral Roll Up Rend Posture |
@‹S—†ùE”À\Ž® |
Centripetal spiral? Remove Obstruction Posture |
10¤”@••Ž—• |
Sealing/Closing Up |
@\ŽšzŠÂE•••ÂŽ® |
Cross circulation Seal-Close Posture |
11¤•I’êŠÅx |
Watch the Punch (fist) Under the Elbow |
@‘Š‘Î•½tE‘–“]Ž® |
Relative balance Walk Turn Posture |
@e‘——¸‘ÑE•IxŽ® |
Hurl, send, roll back, carry Elbow Punch Posture |
12¤“|ŒžnŽ® |
Fall Back, Curl Elbow Posture |
@‘OŒã„˜QELkŽ® |
Forward backward push/shove wave Extending & Contracting |
@㉺Š|”ÕE¸~Ž® |
Up/down hang/suspend cross-leg Rising Falling Posture |
@¶‰Ežˆ–yEŠJ‡Ž® |
Left right shuttle shake Opening Closing Posture |
13¤‰G—´“Z˜ |
Black Dragon Coils Around Waist |
@“]gŒ—ŒžE“Z˜Ž® |
Turn body encircle curl Coil Around Waist Posture |
@ùg‘©‘ÌE—†ùŽ® |
Whirl body, bind body Spiral Posture |
14¤ŠC’êjŽ® |
Needle at the Bottom of the Sea Posture |
@’¾ôˆ³ˆÂEçZ•šŽ® |
Sink, fold, press, push down Bend Down Posture |
15¤‘M’Êä]Ž® |
Dodge Through Arms Posture |
@‘ï’ñ‰Ë“WEú‘MŽ® |
Tuck, lift, support, expand Pierce Dodge Posture |
16¤”À®¶Ž® |
Remove Obstruction Palm Posture |
@—†ù‘ŠæEúèrŽ® |
Spiral multiplication Shuttle Drilling Posture |
17¤“]g‰†•I |
Turn Body, Cover Elbow |
@–|g‘—xE‰†•IŽ® |
Overturn body, send fist Cover Elbow Posture |
18¤ŽO’i—†ù |
Three Phase Spiral |
@‘©g’T‘ÌE³ôŽ® |
Bind body, search body Cross Pile Posture |
19¤‰_ŽèŽOŽ® |
Three Posture Cloud Hands |
@—Vg‰ôã…E‰_ÌŽè |
Roam body, turning detour Cloud-Gather Hands |
@ÚŒãŒ}‘OE‰_ôŽè |
Receive backward, invite forward Cloud-Pile Hands Posture |
@‰E™œ¶ˆÂE‰_”âŽè |
Right split, left push Cloud-Unroll Hands Posture |
20¤ŽOß’P•Ú |
Three Joints Single Whip |
@ŠJ‡‘ï‰ËE•ڈŽ® |
Open close, tuck Whip Push Posture |
21¤‚’T”nŽ® |
Stand High to Search the House |
@“Wg‘©‘ÌE’T”nŽ® |
Expand body, bind body Search House Posture |
22¤˜AŠÂŽO‘Ú |
Linking Three Legs |
@ŠJ‡‹N—ŽE•ª‘ÚŽ® |
Open and close, rise and fall Dividing Leg Posture |
@—hg–y‘ÌE²‘ÚŽ® |
Shake body, wave body Sway Leg Posture |
@kg•ö’eET‘ÚŽ® |
Contraction body, elastic bounce Shiver Leg Posture |
23¤c•GÍx |
Embrace Knee, Planting Punch |
@ŽOߑБÎEŽC•¥Ž® |
Three joints Relativity Brush-Embrace Posture |
@ŠJ“W‡’ÄEÍxŽ® |
Open expand, close drop Plant Punch Posture |
24¤„çx‘o‹r |
Push-Overturn Double Kick |
@T–|gE“]gŽ® |
Jerk, rub, overturn body Turn Body Posture |
@˜Qg–oŠWEB‘ÚŽ® |
Wave body, cover, combine Sever Leg Posture |
@‰¡˜—Öä]Eœ‘ÚŽ® |
Side waist, wheel arm? Scoop Leg Posture |
25¤¶‰E•šŒÕ |
Left-Right Hiding Tiger |
@ŒùŠ|‘}‘ÚEigŽ® |
Hook hand, back-cross leg Squeeze Body Posture |
@kg’T‘ÌE•šŒÕŽ® |
Contract body, search body Hiding Tiger Posture |
@‡‘ï‹Â“WE“_‘ÚŽ® |
Combined hold, look up, expand Point Leg |
@ŒùŠ|•šŒÕEŠ|”ÕŽ® |
Hook hand, hiding tiger Hang Cross-Leg Posture |
26¤ŠW”nxŽ® |
Cover Horse Punch Posture |
@‘¤g‰¡•àEŠWxŽ® |
Side body, side step Cover Punch Posture |
@ã…•à‰ô•àE‰¡‘|Ž® |
Detour step, encircle step Horizontal Sweep Posture |
@•À•àœ¶E³Œ‚Ž® |
Arrange step, scooping palm Crossing Strike Posture |
@²•à’Š•IEŠWxŽ® |
Sway step, draw elbow Cover Punch Posture |
27¤‘o•ôŠÑލ |
Twin Peaks Pass |
@šñ‘ÚŠ·•àE‘oèrŽ® |
Squeeze leg, change step Twin Drilling Posture |
@¿‘ÚŒ—³E‘oŒžŽ® |
Sitting leg, circle cross Twin Winding Posture |
@’¾g™‰‘ÚE‘oŠÑŽ® |
Sink body, scooping leg Twin Peaks Pass Posture |
28¤ŽÎèώ莮 |
Diagonal Leaning Hands Posture |
@’£“W’ñ‘ïEŽÎèÏŽ® |
Open, expand, bind, lift Diagonal Leaning Posture |
29¤–ì”n•ªé¥ |
Parting the Wild Horsefs Mane |
@‰¡‘|ŽÎ‘}E•ª‘Ž® |
Horizontal sweep, diagonal insert Divide Grass Posture |
@ùã…‘ï†E–c•øŽ® |
Whirl detour, knead embrace Expand Hold Posture |
@cŒ`—†ùEŽÎ”òŽ® |
Lengthwise spiral Slant Fly Posture |
30¤‹Ê—úžˆ |
Jade Lady Threads Shuttles |
@¸~—†ùE˜AŠÂŽ® |
Rise & fall spiral Linking Posture |
@”À‘ј»•ÊEú“³Ž® |
Remove, haul, lie down, sweep Sewing Collide Posture |
@•½tŠŠsE”½™œŽ® |
Slide balance Inverse Spitting Posture |
@‘oŠÂŒðöE‰Ë—“Ž® |
Twin link intersect Prop Intercept Posture |
@‘Ñ”w˜»•ÊEú–|Ž® |
Haul, carry, lie down, sweep Sewing Overturn Posture |
31¤’P•Ú‰ºŽ® |
Single Whip Down Posture |
@Œù“Z–ygE˜»•šŽ® |
Hook, coil, wave body Prostrate Hide Posture |
32¤‹àŒ{“Æ—§ |
Golden Rooster Stands on One Leg |
@Lk¸~E“Æ—§Ž® |
Expand & contract, rise & fall Stand on One Leg Posture |
@’ñ•GŠc‘ÚE’§“³Ž® |
Lift knee, rowing leg Scoop Collide Posture |
33¤‰ô‘é“üŠC |
Encircling Eagle Enters Ocean |
@‰ôùšñ‘©E’¼‰¡Ž® |
Encircle, spin, nip, squeeze? Straight-Side Posture |
34¤ŽO‰†•IŽ® |
Three-Cover Elbow Posture |
@–yg—†ùEŒ}–Ê•I |
Wave body spiral Greet Face Elbow Posture |
@’Š•I”wùE”½”w•I |
Draw elbow, back spin Reverse Back Elbow Posture |
@‰¡‘|íŽaE’¸S•I |
Horizontal sweep, pare cut Prop Up Heart Elbow |
35¤“]g²˜@ |
Turning body sweeping lotus |
@“]g–y‘ÌE²˜@Ž® |
Turn body, wave body Sweeping Lotus Posture |
36¤œ^‹|ŽËŒÕ |
Bend Bow, Shoot Tiger |
@—ô•Ê—¸‹“EŽËŒÕŽ® |
Tear up, divide, pull, lift Shoot Tiger Posture |
37¤Íxˆ¥èÏ |
Plant Punch Close Leaning |
@“¥•àÍxE”½èÏŽ® |
Tread step, plant punch Reverse Leaning Posture |
38¤‰Žq´… |
Swallow Sweeps Water |
@¸~—†ùE´…Ž® |
Rise & fall spiral Sweep Water Posture |
39¤ã•àŽµ¯ |
Step Out, Seven Stars |
@žˆèrú³E޵¯Ž® |
Shuttle drilling, pierce crossing Seven Stars Posture |
40¤‘Þ•àŒ×ŒÕ |
Retreat Step Straddle Tiger |
@—Öä]³‰ËEŒ×ŒÕŽ® |
Wheel arm crossing support Straddle Tiger Posture |
41¤ŠO²— ‡ |
Outside Sway, Inside Cross |
@²‘Ú‰ô¶EŒ—‡Ž® |
Sway leg, turning palm Encircling Combine Leg Posture |
42¤ŽO”Õ—Ž’n @ |
Three Trays Dropped to the Earth |
@‘xô˜EŽO”ÕŽ® |
Pound punch, fold waist Three Trays Posture |
43¤\ŽšŽèŽ® |
Cross Ward Hands Posture |
@ŠJ‡‹N—ŽE\ŽšŽ® |
Open & close, rise & fall Cross Ward Posture |
44¤‘¾‹ÉŠÒŒ³ @ |
Taiji Return to Origin |
@‚Žè•À‘«EŠÒŒ³Ž® |
Dangle hand, arrange foot Return Origin Posture |
| Home | TaijiQuan Outline| Opening - Comparison and choice| Opening - Stage of the evolution|
| Diraction TaijiQuan |
copyright of ‘h“Œ¬@Su Dong-Chen @2008, July
Translator: Matt Irvin <irvinstein@hotmail.com>